There’s a kind of fatigue on display in social media these days, at least among the circles that I follow, that suggests people are tired of parsing the deeper meanings and dangerous discourses of popular culture, and it’s manifested in a malaise and backlash to the criticism surrounding Kanye West and Brooklyn Nine-Nine specifically. In the maelstrom, meanwhile, I think some basic premises are being lost. I’m going to enumerate them here, briefly, not because I’m invested in either Kanye or Brooklyn Nine-Nine, but because I think the moment can remind us about what we find valuable about cultural criticism, cultural studies, and other disciplines and methodologies that teach media literacy.
1. It’s ok to like popular culture.
Being a critic doesn’t mean you can’t enjoy popular culture. Roxane Gay reminded us when discussing the new Roseanne reboot that it’s fine to enjoy entertainment that might be nevertheless “problematic.” Critics and scholars exist to start conversation, to open our eyes to new and different ideas, and in terms of poststructuralism and queer theory, to lay bare the ways in which power works through media, and specifically, the way it reveals how that which is understood as normal is in fact contingent, and rooted in histories of chance, opportunity, inequality, and domination. Continue reading “Popular Culture Fatigue”→
I came across a 1947 Abraham Polonsky essay recently, that includes the following critique of American culture, where he contrasts a realist approach with a metaphysical one:
In treating social events it is necessary to know their precise historical conditions in order to evaluate the operation of moral choices. In a metaphysical inquiry we are mainly interested in defining the abstract terms for logical manipulation. Nowadays, a whole literary school has arisen, antirealistic in nature, which is devoted to deciding whether organization-as-such is evil (not whether this organization is evil or not), and whether man’s inner agony is a condition of physical existence (not whether this social existence or that creates terror and anxiety in his spirit).  Continue reading “Abraham Polonsky and the Contest of Metaphysics vs. Realism”→
Honestly, I’m not sure. But a few years ago, high from the fumes of finishing my dissertation and still waiting idly for my defense date to come, I binge watched the television reality show Cake Boss and became convinced that I needed to write an article about it.
Several weeks later, I had a publishable article, or so I thought. After a couple of revise and resubmits I lost interest in the thing, and my fleeting career in cultural studies ended just as it began. But I was thinking of it recently, in the context of how the twin narratives of the mythological American dream and white identity have worked discursively in supporting Trump’s ascendance.