Last week on my favorite radio show, On the Media, Nadine Hubbs appeared to talk about the scholarship on class, politics, and country music. On of the things she and the host discussed was the theme of “hillbilly humanism,” the persistent trend in country music that pays attention to the lives of lower-class and non-elite Americans, and insists on their “dignity” and their worthiness for “compassion,” as Hubbs writes in Rednecks, Queers, and Country Music (76-78).
I took a brief detour into studying the politics of country music a few years ago—that research project is now on indefinite hiatus I suppose—and I’ve been thinking a great deal about humanism, so this gave me some food for thought. I haven’t read Hubbs’s book, so take any of my ruminations not as a questioning of any aspects of her book, but a way to frame some of my own thoughts in a new light offered by her brief appearance on the radio. Continue reading “The Enlightenment Philosophy of “Hillbilly Humanism””